install theme

FATE MEETS DEATH: A STORY WRITTEN WITHIN A 15-MINUTE TIME FRAME UNDER THE INFLUENCE OF REALITY

heathison:

Fate was born under a tree. A just as likely place as any other.

Fate enjoyed misery, happiness, sorrow, abnormal pains, toothaches, ice cream, cotton candy, long walks by the hospital, 50-hour films and other things.

Fate sometimes found itself locked in its bedroom closet at 3 am. Fate didn’t…

im jst experimentin in the kitchen brb

pjgoring:

sometimes if youre lucky they are nice to you after they hurt you

theneweryork:

New Fiction: Manifesto for Ambient Film by Gray Tolhurst
The exterior world and the interior world are of the same essential substance. What the eye sees is implied by shadow and light. The essence of filmmaking is light, the light of the Sun. All that can be captured is light itself or light reflecting against objects. The goal of ambient filmmaking is to isolate the essential light of being and capture this visual phenomenon onto film. Light is the actor in ambient film, color is the dialogue. Shots are connected by dream-logic, rationality exposed as an artifice of death. The higher purpose of cinema and art in general is to trigger a waking dream to relieve us from the great pressure of the body, of being within a being. So with this I offer you light and vision, a new cinema, the cinema of death and rebirth. A hypnagogic cinema of consciousness.
Tenets
Cinema is inherently personal and films should be constructed and viewed as such. One film, one vision. Extraneous interpretations become pure conjecture.
Cinema is subjective, there is no objective standard in filmmaking.
The use of film (8mm, Super8, 16mm, 35mm, etc.) is highly encouraged. Film stock preserves the motion of emotion through the physical act of projection. Light becomes tattooed on the stock rather than housed in an impenetrable circuit board. Film as a physical, tangible object becomes a work of art in itself, translating poetry through light and motion.
Narrative and plot are not entirely necessary. Dialogue and actors are not required, nor is the three-part storyline developed in theater. Cinema is neither theater, nor literature or painting. Thus, while cinema draws influence from all these arts, it is not bound to their conventions.
Unlike Dogme 95 or the Remodernist movement we do not hold these tenets as absolute truths nor accept/deny that any filmmaker is/is not an ambient filmmaker. The ideas presented in the preceding lines are only guidelines or jumping off points for a revised vision of cinema in the world today. Feel free to reject, modify, vilify, or deify any of the beliefs presented here or in any other filmmaking manifesto.
Make films before it’s too late.
Read it:
http://theneweryork.com/manifesto-for-ambient-film-gray-tolhurst/

theneweryork:

New Fiction: Manifesto for Ambient Film by Gray Tolhurst

The exterior world and the interior world are of the same essential substance. What the eye sees is implied by shadow and light. The essence of filmmaking is light, the light of the Sun. All that can be captured is light itself or light reflecting against objects. The goal of ambient filmmaking is to isolate the essential light of being and capture this visual phenomenon onto film. Light is the actor in ambient film, color is the dialogue. Shots are connected by dream-logic, rationality exposed as an artifice of death. The higher purpose of cinema and art in general is to trigger a waking dream to relieve us from the great pressure of the body, of being within a being. So with this I offer you light and vision, a new cinema, the cinema of death and rebirth. A hypnagogic cinema of consciousness.

Tenets

  1. Cinema is inherently personal and films should be constructed and viewed as such. One film, one vision. Extraneous interpretations become pure conjecture.
  2. Cinema is subjective, there is no objective standard in filmmaking.
  3. The use of film (8mm, Super8, 16mm, 35mm, etc.) is highly encouraged. Film stock preserves the motion of emotion through the physical act of projection. Light becomes tattooed on the stock rather than housed in an impenetrable circuit board. Film as a physical, tangible object becomes a work of art in itself, translating poetry through light and motion.
  4. Narrative and plot are not entirely necessary. Dialogue and actors are not required, nor is the three-part storyline developed in theater. Cinema is neither theater, nor literature or painting. Thus, while cinema draws influence from all these arts, it is not bound to their conventions.
  5. Unlike Dogme 95 or the Remodernist movement we do not hold these tenets as absolute truths nor accept/deny that any filmmaker is/is not an ambient filmmaker. The ideas presented in the preceding lines are only guidelines or jumping off points for a revised vision of cinema in the world today. Feel free to reject, modify, vilify, or deify any of the beliefs presented here or in any other filmmaking manifesto.
  6. Make films before it’s too late.
Read it:
http://theneweryork.com/manifesto-for-ambient-film-gray-tolhurst/

(via ineffableerin)

pjgoring:

new pomp pushin in WHOLE bein nothing. maybe i coulda tried hands. Back In Blackheath in hate. would love but love was a bouncer. all omission in silence. all confession top violence. Is me re-readin circumstance truly. don’t don’t haven’t narrative in common. keep broke wtf to MORE dust did button. Nothing but ciggy smoke n static. work wakin drama work violence. no thinkin, I like pomp anger TONIGHT. in in like in in. my ANGLES complication, stand AGAINST. I was all Blackheath and woman. I said things against voice. drown broken shitty say want word. broker. again. woman. COD LIFE!! fucking fish. Dad angry MORE EXOTIC and worser. Intense TV fear OR batman. linear BEAUTIFUL EVER like pedestal. HAVE behind I said. On off voice. don’t jump that lover. 2 affords was no ppl and lonely. changed THEY but intensity WORKIN it like who bein love voice. mystery works it broker. i found a mystery, promiscuous. mind to say face broker. in rivers of MORE not there. all new against Self expensive. jumped IN work cuz complication. n truly my my Value. the angry there lol. AINT mystery. like off of my back love but always. think face voice. lmao n get solid intense. dog wanna AGAINSt solid hate. MY COD just LIFE!! the crafts’man’ship confession. fear omission silence lover. have mind in solid anger WHOLE snakes, lots HAVE. there’s a handful empty. bein arse lies n right WORKIN N that.

pjgoring:

new pomp pushin in WHOLE bein nothing. maybe i coulda tried hands. Back In Blackheath in hate. would love but love was a bouncer. all omission in silence. all confession top violence. Is me re-readin circumstance truly. don’t don’t haven’t narrative in common. keep broke wtf to MORE dust did button. Nothing but ciggy smoke n static. work wakin drama work violence. no thinkin, I like pomp anger TONIGHT. in in like in in. my ANGLES complication, stand AGAINST. I was all Blackheath and woman. I said things against voice. drown broken shitty say want word. broker. again. woman. COD LIFE!! fucking fish. Dad angry MORE EXOTIC and worser. Intense TV fear OR batman. linear BEAUTIFUL EVER like pedestal. HAVE behind I said. On off voice. don’t jump that lover. 2 affords was no ppl and lonely. changed THEY but intensity WORKIN it like who bein love voice. mystery works it broker. i found a mystery, promiscuous. mind to say face broker. in rivers of MORE not there. all new against Self expensive. jumped IN work cuz complication. n truly my my Value. the angry there lol. AINT mystery. like off of my back love but always. think face voice. lmao n get solid intense. dog wanna AGAINSt solid hate. MY COD just LIFE!! the crafts’man’ship confession. fear omission silence lover. have mind in solid anger WHOLE snakes, lots HAVE. there’s a handful empty. bein arse lies n right WORKIN N that.

tphd:

EARLIER, IN A RESTAURANT, I SAW A BABY’S FACE LIGHT UP WHEN SHE RECEIVED A FRENCH FRY

THEN SHE SPENT SOME MOMENTS CONSIDERING THE FRY

LATER, AND WITH A VERY SERIOUS EXPRESSION ON HER FACE, SHE HANDED BACK THE FRY

IT WAS INSUFFICIENT

roocomix:

#comics #psychedelic #teeth #monster #hypnotizedbyastar

roocomix:

#comics #psychedelic #teeth #monster #hypnotizedbyastar

beautyisanillusion:

feelin’ a lot better, finally, finally

noglykon:

artifacts
designed by no glykon

AN INTROSPECTIVE ON NUMBERS: A MINI MICRO-ESSAY

heathison:

numbers are irrelevant.

they were designed to create some sort of illusion of control when in actuality they create chaos.

i hate numbers.